Past

urs moore and marc raven

yes no

2 June 2020 - 13 June 2020

Our reality has changed since the Coronavirus outbreak. The impact of this invisible virus forces us to rethink our present existence and everything we take for granted. Our thinking, moving and acting is being reshaped. After three months of quarantine, doors to exhibitions are slowly reopening. As is the case for Bradwolff Projects, where Urs Moore and Marc Raven have joined forces to create the intimate and philosophical exhibition Yes No.

paul devens

pavilion 4

26 January 2020 - 22 February 2020

Opening: Sunday 26 January 16:00 – 18:00 The Transformation Series, shown at Bradwolff Projects over the past six months, concludes with the last episode of the triptych. After the exhibitions of Hili Greenfeld [Israel] and Sachi Miyachi [Japan], Paul Devens [Netherlands] is the third in the series. The three artists in the Transformation Series were

sachi miyachi

mining future project

17 November 2019 - 21 December 2019

Sachi Miyachi considers the exhibition wall as a device that has recorded a series of transformations where various thoughts, approaches and conceptual operations have accumulated. The artist has taken the exhibition space as a physical and artistic subject. She will undo these layers of history, like a journey back in time until the original wall will breathe again.

hili greenfeld BijlmAIR artist-in-residence

tales of the east

29 September 2019 - 27 October 2019

Tales of the East’ is the end result of Hili Greenfeld time as an artist in residence at the CBK Zuidoost residency program. Greenfeld’s work is interdisciplinary and comprehensive. Using paintings, found [historical] objects and architectural models, she creates what she calls ‘environments’, or space-filling installations that feel like a world within a world in which spirituality plays a major role.

juul sadée

un conditional

25 August 2019 - 15 September 2019

Juul Sadée work revolves around concepts such as “identity”, “integration” and “women’s empowerment”. Together with Moluccan, Indonesian and Dutch women, she investigates the shared history of the VOC and colonial occupation, and the resulting personal experiences and stories.

coralie vogelaar

arranging, moving, rotating, packing

4 July 2019 - 28 July 2019

Coralie Vogelaar is a research-based interdisciplinary artist. Her work consists of systematically conducted studies that reveal the mechanisms within our visual culture, in relation to the human body. Taking computer sciences as her inspiration, she explores the borderland between computer and man, showing the communication between the two and the new ways of seeing and behaving

Parallels: dance, performance weekend

12 April 2019 - 14 April 2019

In this three-day event, Bradwolff Projects seeks to explore how recent attention to the relationship between dance/performance and art spaces is impacting art and dance. What do they have to say to each other? What is the urgency of their meeting? What are their visions for the future? Our inquiry will be guided through four

marcel van den berg

they don't love you like I love you

10 March 2019 - 6 April 2019

Mixed media artist Marcel van den Berg has a multidisciplinary practice, which is influenced by the sociocultural realities and happenings, past and present, of his native Netherlands and its diaspora. Acutely attuned to the social realities of minority populations, both locally and globally, these sentiments are viscerally and exquisitely translated into his works.

annabel howland

durn that road

20 January 2019 - 16 February 2019

Annabel Howland’s artworks weave speculative webs around ecology, finance and art. Looking through the lenses of different fields of research, she unpicks, isolates and reweaves threads from these systems.

robin waart

a sense of things to come

18 November 2018 - 15 December 2018

A sense of things to come presents Robin Waart’s new works, made on the occasion of this exhibition. The book Dedication(s), an envelope that is in fact a carpet, enlargements of Thank you cards and other pieces suggest possibilities of an impossible dialogue between an artist and the audience, their own work and the works of others.